There may be in her heart some latent hope to meet
there the love denied her here,--that she shall find him whom she lost,
and that then she will not be all-unworthy. Who blames her? Something
is lost in the passage of every soul from one eternity to the
other,--something pure and beautiful, which might have been and was not:
a hope, a talent, a love, over which the soul mourns, like Esau deprived
of his birthright. What blame to the meek Quaker, if she took her lost
hope to make the hills of heaven more fair?
Nothing remains to tell that the poor Welsh puddler once lived, but this
figure of the mill-woman cut in korl. I have it here in a corner of my
library. I keep it hid behind a curtain,--it is such a rough, ungainly
thing. Yet there are about it touches, grand sweeps of outline, that
show a master's hand. Sometimes,--to-night, for instance,--the curtain is
accidentally drawn back, and I see a bare arm stretched out imploringly
in the darkness, and an eager, wolfish face watching mine: a wan, woful
face, through which the spirit of the dead korl-cutter looks out, with
its thwarted life, its mighty hunger, its unfinished work.
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